Exhibition Runs: August 6 – September 12, 2026
Reception & Artist Talks: Saturday August 22, 4:30pm – 6:30pm
Artist Panel Talks
We invite you to join us for an exhibition reception and artist panel talks at Harwood Art Center by the artists on Saturday, August 22, 2026 from 4:30p – 6:30p with the artist panel talks starting at 5:00pm. This event is free and open to all ages.
Gallery Hours:
Thursday – Saturday, 10am-3pm
“Water, land, plants, animals, people- these spirits are crushed and consumed by settler colonial capitalism. Our air is thick with grief. How do we survive among this devastation? I don’t know. But the earth does. Nature teaches that an antidote lies in reciprocity, balance, dedication, and refusal to comply. Mushrooms compost nuclear waste in collective mycelium. Pods of orcas sink yachts. Insects metamorphose. I have been taught so much, by so many. These lessons- the protectiveness of a killdeer mother, the ferocity of grief, the silence of a hot spring, the slow devotion of carving, the inevitability of change- offer a path toward fulfillment. I pray through my actions, and I’m sustained by my relationships. These are the spirits that guide me. Some are soft, gentle, nurturing. Some are sharp, ferocious, skeletal. Most are both. If we are to live freely, if harmony is to be cultivated, we must be both- and more. We must be unapologetically everything.”
ABOUT LI MING CHU
Li Ming’s practice flows from Taoist teachings, their relationship to the land, and dedication to the communities they’re a part of. As a trans, butch, neurodivergent, Asian abolitionist from the Appalachian foothills, Li’s love for the world is underscored with grief and rage. The radical love that they venerate in their artwork includes fierce protectiveness and a willingness to be uncomfortable. Mutual aid engagement and their work as Print Shop and Studio Coordinator at OffCenter Arts come from the same craving for connection that fuels their art practice. Art-making and community care allow them to embody the lessons that the land and its people constantly teach. Through various mediums, including printmaking, drawing, painting, and fiber art, Li Ming asks: how can we cultivate life in a world clouded by greed and death?