Exhibition Runs: August 6 – September 12, 2026

Reception & Artist Talks: Saturday August 22,  4:30pm – 6:30pm 

Artist Panel Talks

We invite you to join us for an exhibition reception and artist panel talks at Harwood Art Center by the artists on Saturday, August 22, 2026 from 4:30p – 6:30p with the artist panel talks starting at 5:00pm. This event is free and open to all ages.

Gallery Hours:

Thursday – Saturday, 10am-3pm
“What is important to me is engagement – touching, working, grappling, revealing. To put my hands and my self into the stuff of existence. To be not remote from things, not observing from a vantage point, but going into the substance of this miracle planet we are part of. My intent is not to say something about the world, but rather to get down into the fiber of it and look to uncover fundamentals and hidden elements. To follow intuition, to rouse perception. To listen for vibrations and wonder about them. To experience space and mass, texture and rhythm, in a direct physical way, with open-mindedness and curiosity. The images become records of time passages and meditations, ways to ponder mysteries, and to communicate without referencing words. I am drawn to the cloud-like shapes and grains swirling inside pieces of wood – the individual character of each piece of wood is revealed as it is worked, and becomes integral to the finished printed image. For this reason, I often use scavenged wood materials which exhibit varied and unique effects of time, usage, and deterioration. The finished pieces are hand-rubbed relief prints on kozo paper, which reflect the simple and direct process of handling and shaping the carving and printing materials.”

ABOUT MARK WEAVER

Mark Weaver (b.1958 in Albuquerque, NM) studied block printing and graphic design in the 1970s at Washington University in St Louis MO, while earning a degree in architecture. He has continued working from his home studio in the intervening years, and has exhibited in galleries in New Mexico, California, Pennsylvania, and Virginia. He is also a working musician who plays tuba in a variety of ensembles. He loves music, reading, and NM mountain hiking.

The images are relief prints of woodcuts: hand-rubbed impressions on kozo (mulberry) paper using oil based ink, typically carved from scavenged wood pieces.

www.markweaverart.net

“I was born within view of the Pacific Ocean and have felt connected to it all my life. I feel equally connected to the desert Southwest, with its wide-open vistas and resilient plants, and to the deciduous forests and rolling hills of the Northeast. These landscapes shaped my childhood, and my heart has always leaned tenderly toward the more-than-human world. I’m an artist with an education in science. I think about the ways humans have interacted with the more-than-human world throughout our evolutionary history. I’m interested in how those relationships shaped our cultural values, and how they continue to influence our behavior today. My work is autobiographical. I explore my own reactions and experiences and use them to connect with viewers.

My research lately has focused on microplastics, which has led me to think about the ways plastics permeate ecosystems. While teaching a human genetics course earlier this year, I found myself thinking about the advent of agriculture, when we began selecting plants and animals with traits that benefited us. Several years ago, I viewed a collection of birdskins for the first time and still think about my emotional response to seeing fellow living beings transformed into objects of study.

While these experiences may seem unrelated, they all reveal the same cultural tendency to see the more-than-human world as separate from ourselves and existing for our use. Ironically, it’s my scientific training that brings me back to the worldview I developed as a child: that all living beings share a common ancestor. We are all kin. My work creates opportunities for viewers to reconsider our relationships with other living beings and to imagine what it might feel like to recognize them not as distant others, but as the kin they have always been.”

ABOUT JESSICA MARIE GROSS

“I am a conceptual artist and a scientist. Each of my practices offers a lens for understanding human behavior and the ways we construct ideas of place, identity, and belonging in relation to one another and to the living world. I hold a BFA in Studio Art and a PhD in Anthropology, and my work has been exhibited in galleries across the United States.”

www.jessicamariegross.com

Exhibition Catalog